One bit of writing advice I always give is this -- once you've submitted a piece, forget about it and start something new.
This advice doesn't play particularly well when I offer it to the checker at the grocery store, but other writers see the value in it. There is nothing to be gained from obsessive worry over a title that is now on an editor's desk. You can't hurry the process. You can't affect the outcome. All you can do is chew your fingernails down to your elbows and waste a lot of time.
So I started my new book the very day I sent out the old one.
But today, some eleven days after the submission, I find myself doing the very thing I so often warn others against. No, not licking outboard motors, but obsessing over a submission.
Now, eleven days in this business is nothing. Eleven weeks isn't even considered a long wait. I once waited eleven months for a yes or a no on a short story (it wound up being a yes). So getting impatient after eleven days is somewhat akin to starting your car in Dallas, driving a block, and wondering if you're in Alaska yet.
Thus, in order to purge the evils spirits of doubt and dismay which bedevil me, below are the most likely fates my manuscript has already suffered:
1) My submission is being passed from editor to editor as each bursts into great raucous gales of laughter and screams of 'Is he SERIOUS?'
2) The publishing house has decided to pass on the book, and they're taking out a full-page public rejection space in the New York Times just to make absolutely sure I get the point.
3) They ran out of synonyms for NO.
4) They've hired the entire clown cast of Ringling Brothers Circus to pile into a tiny car and drive to my house and throw 919 pies in my face, each accompanied by a cheerful shouted "We regret that your submission does not suit our current needs" followed by a nose honk, a squirt of lapel-flower seltzer, and another thrown pie.
5) See #4 above, but with musical accompaniment by the Blue Man Group.
These are the things that fill a writer's unkempt head. I'll dream of clown cars, I swear I will.
This advice doesn't play particularly well when I offer it to the checker at the grocery store, but other writers see the value in it. There is nothing to be gained from obsessive worry over a title that is now on an editor's desk. You can't hurry the process. You can't affect the outcome. All you can do is chew your fingernails down to your elbows and waste a lot of time.
So I started my new book the very day I sent out the old one.
But today, some eleven days after the submission, I find myself doing the very thing I so often warn others against. No, not licking outboard motors, but obsessing over a submission.
Now, eleven days in this business is nothing. Eleven weeks isn't even considered a long wait. I once waited eleven months for a yes or a no on a short story (it wound up being a yes). So getting impatient after eleven days is somewhat akin to starting your car in Dallas, driving a block, and wondering if you're in Alaska yet.
Thus, in order to purge the evils spirits of doubt and dismay which bedevil me, below are the most likely fates my manuscript has already suffered:
1) My submission is being passed from editor to editor as each bursts into great raucous gales of laughter and screams of 'Is he SERIOUS?'
2) The publishing house has decided to pass on the book, and they're taking out a full-page public rejection space in the New York Times just to make absolutely sure I get the point.
3) They ran out of synonyms for NO.
4) They've hired the entire clown cast of Ringling Brothers Circus to pile into a tiny car and drive to my house and throw 919 pies in my face, each accompanied by a cheerful shouted "We regret that your submission does not suit our current needs" followed by a nose honk, a squirt of lapel-flower seltzer, and another thrown pie.
5) See #4 above, but with musical accompaniment by the Blue Man Group.
These are the things that fill a writer's unkempt head. I'll dream of clown cars, I swear I will.
The truth is even worse. It sits there...like you, waiting.
ReplyDeleteGads. I don't know how you can stand it. Just know that us readers are waiting with you. IMPATIENTLY, editors, you hear that????
I dreamed last night that a young bullock came unto me, and said in a loud voice, Yea, thou hast really screwed the pooch this time, and how. And when it had spake, a chorus line of insurance adjusters did appear, and sing LMFAO's 'I'm Sexy and I Know It.'
DeleteWhat this portends, I know not...
I'm curious as to why you haven't moved on to self-publishing. Do they do enough to outweigh the worry of crazed clown gangs?
ReplyDeleteKellie, Samhain has managed to get the Markhat stuff into every Amazon store, Barnes & Noble, Diesel, the iTunes Bookstore, and a host of other venues and formats I can't even name. I'd be lucky to come up with a decent Kindle version, after months of work, and a cover like the ones they get would probably run a thousand bucks. Same for Cool Well Press -- they have resources and skills I just don't have. Too, I want editors and FLEs and all those peeps. I'd be terrified to self-publish.
DeleteWell they would be a giant bunch of doofuses if they said no. I'm sure you'll hear soon!
ReplyDeleteI've had an author I like who was turned down a few books into his series because it was just at the time of the economy collapse in 2008, so I can sort of understand the fear, but at this point in the scheme of things, they'd be idiots to reject you this far into a series when there's no real compelling financial reason.
ReplyDelete