Is there a writer in your life, and are you struggling to come up with that perfect Christmas gift for him or her?
If the first part of the sentence above is true, my condolences, because I'm a writer and I know full well what a morose bunch of budding alcoholics we writers usually are. I'm constantly staring off into space, oblivious to the world around me until the front bumper strikes something solid and the air bags deploy.
That can't be good company. I know from experience that the Highway Patrol is seldom thrilled.
Every year, it's the same dilemma. What to give for Christmas? What will make your writer's eyes light up, or at least open halfway?
As usual, I'm here to help. My list of suggestions follows, in order of descending utility.
1) BOOZE. HOOCH. ROTGUT. That's right, kids, the Demon Rum himself. Why? Simple.
A writer's job is to plumb the depths of the human condition, or at least convince a harried editor that he or she is plumbing said depths long enough for the ink to dry on a contract. And the first thing you'll learn when you start taking a really close look at the much-vaunted human condition is that doing so induces a sudden, powerful urge to have a drink. Or three. Or maybe just leave the whole bottle and start running a tab, because right after the urge to drink comes the realization that it's going to be a long bad night.
2) A THESAURUS. Because nothing works better as a coaster for the drinks mentioned above than a really thick book. I'd counsel against actually using a thesaurus for writing, because no one wants to read sentences in which characters advance, meander, promenade, traipse, or wend one's way across the room.
3) A CAT. Hemingway had a cat, right? He had a cat because aside from certain molds and rare fungi, a cat is probably the only creature on Earth which is more vain and self-centered than the average author. While other more social creatures might feel neglected or ignored by an author, who is probably staring off into space or rummaging in the cabinets for more liquor, a cat is perfectly comfortable being ignored because it doesn't know anyone else is in the room anyway. The cat's 'I don't care if you exist or not' attitude is perfectly suited to the author's mindset of 'What? Huh? Who?'
4) AN ELEGANT LEATHER-BOUND JOURNAL. We all know that writers, and I mean serious professional writers with book contracts and everything, are always prepared to whip out a convincing character or a heart-wrenching plot at the drop of a dangling participle. So give your author the most expensive, ornate leather journal you can find, wait a year, drag it out from under the whiskey-stained thesaurus, and give it to the writer again. They won't ever know, because each and every page will be as blank as it was the day you bought it. Seriously, people. I tried the whole notebook by the bed schtick for years, and I recorded exactly two notes in it, which read:
"Char. A sees the thing, intro. other scene w/char B, str. exc. Plot hole & 9 days."
"Why G. not cld/not E?"
Which explains why Hemingway's cat had six toes, for all I know. But leatherbound notebooks make pretty good coasters too, and if the glasses sweat on them, you can tell people the stains are from a solo hike through Guatemala which you took to 'reconnect to my muse.'
I don't have a Number 5. You should probably stop at Number 1, because gift-wrapping a cat is nearly impossible and writers can spot a gift wrapped thesaurus from across a crowded room anyway.
If the first part of the sentence above is true, my condolences, because I'm a writer and I know full well what a morose bunch of budding alcoholics we writers usually are. I'm constantly staring off into space, oblivious to the world around me until the front bumper strikes something solid and the air bags deploy.
That can't be good company. I know from experience that the Highway Patrol is seldom thrilled.
Every year, it's the same dilemma. What to give for Christmas? What will make your writer's eyes light up, or at least open halfway?
As usual, I'm here to help. My list of suggestions follows, in order of descending utility.
1) BOOZE. HOOCH. ROTGUT. That's right, kids, the Demon Rum himself. Why? Simple.
A writer's job is to plumb the depths of the human condition, or at least convince a harried editor that he or she is plumbing said depths long enough for the ink to dry on a contract. And the first thing you'll learn when you start taking a really close look at the much-vaunted human condition is that doing so induces a sudden, powerful urge to have a drink. Or three. Or maybe just leave the whole bottle and start running a tab, because right after the urge to drink comes the realization that it's going to be a long bad night.
2) A THESAURUS. Because nothing works better as a coaster for the drinks mentioned above than a really thick book. I'd counsel against actually using a thesaurus for writing, because no one wants to read sentences in which characters advance, meander, promenade, traipse, or wend one's way across the room.
3) A CAT. Hemingway had a cat, right? He had a cat because aside from certain molds and rare fungi, a cat is probably the only creature on Earth which is more vain and self-centered than the average author. While other more social creatures might feel neglected or ignored by an author, who is probably staring off into space or rummaging in the cabinets for more liquor, a cat is perfectly comfortable being ignored because it doesn't know anyone else is in the room anyway. The cat's 'I don't care if you exist or not' attitude is perfectly suited to the author's mindset of 'What? Huh? Who?'
4) AN ELEGANT LEATHER-BOUND JOURNAL. We all know that writers, and I mean serious professional writers with book contracts and everything, are always prepared to whip out a convincing character or a heart-wrenching plot at the drop of a dangling participle. So give your author the most expensive, ornate leather journal you can find, wait a year, drag it out from under the whiskey-stained thesaurus, and give it to the writer again. They won't ever know, because each and every page will be as blank as it was the day you bought it. Seriously, people. I tried the whole notebook by the bed schtick for years, and I recorded exactly two notes in it, which read:
"Char. A sees the thing, intro. other scene w/char B, str. exc. Plot hole & 9 days."
"Why G. not cld/not E?"
Which explains why Hemingway's cat had six toes, for all I know. But leatherbound notebooks make pretty good coasters too, and if the glasses sweat on them, you can tell people the stains are from a solo hike through Guatemala which you took to 'reconnect to my muse.'
I don't have a Number 5. You should probably stop at Number 1, because gift-wrapping a cat is nearly impossible and writers can spot a gift wrapped thesaurus from across a crowded room anyway.
